Deborah Lewis
“Dancing Inferno”
How To
For this piece I used 1/4 inch wide Spectrum and Uroborus 96 opal glass strips on edge. I varied the length and patterns to achieve the randomness of fire. It was fused using the flip and fire method, intending to use the “bottom” as the “top.” After viewing both sides I decided the “down” side was too straight-I instead used the upper side which showed slight subtleties in the lines from fusing.
I added some flameworked canes of the same glasses to the top using a contour fuse to add a some dimension and fun. I originally intended to use some really nice straight canes but again, they were “too” straight. I instead pulled some of them and bent them to achieve some graceful lines. I let them fall “outside the lines” to keep the piece from being too harsh.
Statement
For my “fire” piece I tried to instill the strength of fire yet show its gracefulness. The straight bold lines represent the force and power of fire while the flameworked canes on top add the subtle beauty and living state of fire. These top pieces fall outside the lines to represent the spread of fire into new areas.
Deb,
You nailed fire with this piece! Great job!
Toni
by tmjdesigns May 12, 2007 at 4:21 pmExcellent use of the flamework canes, especially the blue/white that provides just the right amount of contrast.
Ross
by Ross Wirth May 12, 2007 at 4:35 pmMy first thought was that this resembled all of the candles on my last birthday cake, right before the smoke alarm went off 😐
The use of the canes really make the fire look alive. You did a great job!
by SAReed May 14, 2007 at 11:45 amDeb,
As the picture was scrolling down, it also struck me as
a city burning.
You have captured the essence of fire beautifully.
by Susan B May 18, 2007 at 9:18 pmI hope you pursue this theme some more. Very intriguing. Thanks,
Kay
by Kay W. July 13, 2007 at 11:15 am